GUANQIAN ART CENTER
The concept of GUANQIAN was inspired by history background. There is always a string being attached between ancient and contemporary era through history of cultural and the timelines. We are seeking for possibility of tea, sense of silence, mysterious of light and shadow.
____ From object to perception and perception to the spirit. The aesthetic of space is not only about visual sensation.
GUANQIAN的建立與思考是在歷史的基礎上的。所謂古代、當代,在線性時間和文化血脈上,都是有脈絡可循的。我們依循這條脈絡去追尋茶的可能性,寂的沈澱性,光影的幽玄性。
——由器入意,由意轉道。這樣看來,空間之美,就不光是視覺追求。

GUANQIAN ART CENTER
The concept of GUANQIAN was inspired by history background. There is always a string being attached between ancient and contemporary era through history of cultural and the timelines. We are seeking for possibility of tea, sense of silence, mysterious of light and shadow.
____ From object to perception and perception to the spirit. The aesthetic of space is not only about visual sensation.
GUANQIAN的建立與思考是在歷史的基礎上的。所謂古代、當代,在線性時間和文化血脈上,都是有脈絡可循的。我們依循這條脈絡去追尋茶的可能性,寂的沈澱性,光影的幽玄性。
——由器入意,由意轉道。這樣看來,空間之美,就不光是視覺追求。

GUANQIAN ART CENTER
The concept of GUANQIAN was inspired by history background. There is always a string being attached between ancient and contemporary era through history of cultural and the timelines. We are seeking for possibility of tea, sense of silence, mysterious of light and shadow.
____ From object to perception and perception to the spirit. The aesthetic of space is not only about visual sensation.
GUANQIAN的建立與思考是在歷史的基礎上的。所謂古代、當代,在線性時間和文化血脈上,都是有脈絡可循的。我們依循這條脈絡去追尋茶的可能性,寂的沈澱性,光影的幽玄性。
——由器入意,由意轉道。這樣看來,空間之美,就不光是視覺追求。

GUANQIAN ART CENTER
The concept of GUANQIAN was inspired by history background. There is always a string being attached between ancient and contemporary era through history of cultural and the timelines. We are seeking for possibility of tea, sense of silence, mysterious of light and shadow.
____ From object to perception and perception to the spirit. The aesthetic of space is not only about visual sensation.
GUANQIAN的建立與思考是在歷史的基礎上的。所謂古代、當代,在線性時間和文化血脈上,都是有脈絡可循的。我們依循這條脈絡去追尋茶的可能性,寂的沈澱性,光影的幽玄性。
——由器入意,由意轉道。這樣看來,空間之美,就不光是視覺追求。

GUANQIAN ART CENTER
The concept of GUANQIAN was inspired by history background. There is always a string being attached between ancient and contemporary era through history of cultural and the timelines. We are seeking for possibility of tea, sense of silence, mysterious of light and shadow.
____ From object to perception and perception to the spirit. The aesthetic of space is not only about visual sensation.
GUANQIAN的建立與思考是在歷史的基礎上的。所謂古代、當代,在線性時間和文化血脈上,都是有脈絡可循的。我們依循這條脈絡去追尋茶的可能性,寂的沈澱性,光影的幽玄性。
——由器入意,由意轉道。這樣看來,空間之美,就不光是視覺追求。

GUANQIAN ART CENTER
The concept of GUANQIAN was inspired by history background. There is always a string being attached between ancient and contemporary era through history of cultural and the timelines. We are seeking for possibility of tea, sense of silence, mysterious of light and shadow.
____ From object to perception and perception to the spirit. The aesthetic of space is not only about visual sensation.
GUANQIAN的建立與思考是在歷史的基礎上的。所謂古代、當代,在線性時間和文化血脈上,都是有脈絡可循的。我們依循這條脈絡去追尋茶的可能性,寂的沈澱性,光影的幽玄性。
——由器入意,由意轉道。這樣看來,空間之美,就不光是視覺追求。

GUANQIAN ART CENTER
The concept of GUANQIAN was inspired by history background. There is always a string being attached between ancient and contemporary era through history of cultural and the timelines. We are seeking for possibility of tea, sense of silence, mysterious of light and shadow.
____ From object to perception and perception to the spirit. The aesthetic of space is not only about visual sensation.
GUANQIAN的建立與思考是在歷史的基礎上的。所謂古代、當代,在線性時間和文化血脈上,都是有脈絡可循的。我們依循這條脈絡去追尋茶的可能性,寂的沈澱性,光影的幽玄性。
——由器入意,由意轉道。這樣看來,空間之美,就不光是視覺追求。

GUANQIAN ART CENTER
The concept of GUANQIAN was inspired by history background. There is always a string being attached between ancient and contemporary era through history of cultural and the timelines. We are seeking for possibility of tea, sense of silence, mysterious of light and shadow.
____ From object to perception and perception to the spirit. The aesthetic of space is not only about visual sensation.
GUANQIAN的建立與思考是在歷史的基礎上的。所謂古代、當代,在線性時間和文化血脈上,都是有脈絡可循的。我們依循這條脈絡去追尋茶的可能性,寂的沈澱性,光影的幽玄性。
——由器入意,由意轉道。這樣看來,空間之美,就不光是視覺追求。

GUANQIAN ART CENTER
The concept of GUANQIAN was inspired by history background. There is always a string being attached between ancient and contemporary era through history of cultural and the timelines. We are seeking for possibility of tea, sense of silence, mysterious of light and shadow.
____ From object to perception and perception to the spirit. The aesthetic of space is not only about visual sensation.
GUANQIAN的建立與思考是在歷史的基礎上的。所謂古代、當代,在線性時間和文化血脈上,都是有脈絡可循的。我們依循這條脈絡去追尋茶的可能性,寂的沈澱性,光影的幽玄性。
——由器入意,由意轉道。這樣看來,空間之美,就不光是視覺追求。

GUANQIAN ART CENTER
The concept of GUANQIAN was inspired by history background. There is always a string being attached between ancient and contemporary era through history of cultural and the timelines. We are seeking for possibility of tea, sense of silence, mysterious of light and shadow.
____ From object to perception and perception to the spirit. The aesthetic of space is not only about visual sensation.
GUANQIAN的建立與思考是在歷史的基礎上的。所謂古代、當代,在線性時間和文化血脈上,都是有脈絡可循的。我們依循這條脈絡去追尋茶的可能性,寂的沈澱性,光影的幽玄性。
——由器入意,由意轉道。這樣看來,空間之美,就不光是視覺追求。

GUANQIAN ART CENTER
The concept of GUANQIAN was inspired by history background. There is always a string being attached between ancient and contemporary era through history of cultural and the timelines. We are seeking for possibility of tea, sense of silence, mysterious of light and shadow.
____ From object to perception and perception to the spirit. The aesthetic of space is not only about visual sensation.
GUANQIAN的建立與思考是在歷史的基礎上的。所謂古代、當代,在線性時間和文化血脈上,都是有脈絡可循的。我們依循這條脈絡去追尋茶的可能性,寂的沈澱性,光影的幽玄性。
——由器入意,由意轉道。這樣看來,空間之美,就不光是視覺追求。

GUANQIAN ART CENTER
The concept of GUANQIAN was inspired by history background. There is always a string being attached between ancient and contemporary era through history of cultural and the timelines. We are seeking for possibility of tea, sense of silence, mysterious of light and shadow.
____ From object to perception and perception to the spirit. The aesthetic of space is not only about visual sensation.
GUANQIAN的建立與思考是在歷史的基礎上的。所謂古代、當代,在線性時間和文化血脈上,都是有脈絡可循的。我們依循這條脈絡去追尋茶的可能性,寂的沈澱性,光影的幽玄性。
——由器入意,由意轉道。這樣看來,空間之美,就不光是視覺追求。

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